Its fairly attainable we are going to see native AVCHD enhancing (and sequence settings) in the subsequent model of FCP. It already has assistance for indigenous XDCAM support, which is equivalent in AVCHD, though increased good quality and a small higher bitrate. What helps make AVCHD exclusive, and in a position to record prolonged lengths of Hd footage with really tiny storage room is it is use of Prolonged-GOP compression. Lengthy-GOP enables motion video without having producing every specific frame. Only x amount of frames for every 2nd are designed. The relaxation are virtually created by way of interpolation. This will save enormous of tough travel place, but demands playback and editing software to re-produce people frames not recorded. final cut pro x plugins employs Long-GOP, but utilizes a larger bitrate and different algorithm bringing elevated quality High definition with a tiny improve in difficult generate place.
Between the two, XDCAM is for pro use and thats most probably why they carried out that format first. But AVCHD is increasing in recognition. A little rumor is circulating stating that the up coming variation of Final Cut Pro could assist indigenous AVCHD enhancing. Presently, it is supported but should initial be transcoded into an intermediate structure this sort of as ProRes. Intermediate formats are not by nature created to be extremely transportable or for distribution. They are for operating in a a very high high quality arena, allowing for wonderful overall flexibility in mixing formats, composites, and so forth. But that is how AVCHD is at present supported in FCP. You have to “log and transfer” your content, which commences the process of changing the AVCHD data files into ProRes 422. This takes a extended time, generating the idea of a “tapeless” workflow seem not well worth it, considering that it will take more time than true-time on most workstations to do this transcode. On the other hand, XDCAM footage is brought into FCP via the File>Import>XDCAM route. Downloading and installing a little, cost-free plugin from Sony is all you want to beforehand.
Log and Transfer plug in computer software utility for XDCAM
The footage is copied from the XDCAM media (this kind of as the SxS strong-point out playing cards) and the content is immediately accessible for enhancing in FCP. When importing from the SxS playing cards (XDCAM EX structure), the transfer has a leading pace of 800Mb/s. The import process merely transfers the media and “wraps” it in QuickTime a quite swift process you will not likely even notice. 1 hour of footage “captured” and completely ready-to-edit in ten minutes or considerably less. When native AVCHD editing is possible in Final Minimize Professional, the workflow will grow to be very equivalent to how we work with XDCAM these days.